looks like being bad can be good
Duration: 15min 52sec
Views: 88 782
Submitted: 9 years ago
Submitted by:
Description:
This sexy blonde has been such a bad, bad girl. And her master isn't best pleased. But why not she looks divine in all that lingerie. Especially tied and begging. But its all to no avail and soon enough the ball gag is in place. As id the vibrator. Let the torment, humiliation and fun begin




«Personal Comment
There's something deeply erotic about the image of a woman tied up and exposed, dressed only in her white lingerie—a color that evokes purity and sensuality at the same time. Vivienne, immobilized in a frogtie position, with her white lingerie contrasting with her black heels, creates an image of voluntary submission that's hard to ignore. Tying and gagging your own wife, even when she protests, has benefits that go beyond physical control. It's a way to silence the noise of everyday life, to create a space where only the body and sensations exist. By depriving her of her voice, you force her to communicate in other ways—with her eyes, her moans, her involuntary spasms. And by immobilizing her, you take away the burden of having to decide, of having to do something. She can only be, she can only feel.
Sometimes, love manifests in strange ways. I love my wife, Vivienne, with all my heart. But every now and then, her constant chatter and her need for attention drive me a little crazy. And when I decide I want to take an afternoon nap, she simply won't leave me alone.
She was already getting ready, asking me what I thought of this and that lingerie set she was trying on, when she came out of the room wearing the one she liked best: a white lingerie set, stockings, and heels. She was beautiful. Slender and graceful, of light build with long legs. Her blonde hair, loose and somewhat messy, fell over her shoulders and back. Her face, delicate, with soft cheekbones and lips painted a rosy shade, had clear, smooth skin. Her body was feminine and slender: small to medium breasts, a narrow waist, soft hips, and firm thighs.
I loved her outfit. It was a classic white ivory-toned lingerie set, elegant and sensual. The bra, a soft balconette or push-up in satin fabric, had delicate lace trim on the cup edges. The straps were thin and adjustable, and the design enhanced her chest without being bulky. She wore opaque white stockings with a wide silicone top band, and white garters that wrapped around her thighs, creating that sophisticated "boudoir lingerie" look. The panties, low-rise and thong-style, had a small bow at the center front. The thin fabric fit perfectly over her hips, leaving much of her buttocks and the tops of her thighs exposed. Her shiny black stiletto heels contrasted spectacularly with all the white.
I knew she wasn't going to interrupt my nap, so I tied her to the foot of the bed. I spread her legs and tied them back in a frogtie position, legs bent and open. I had her completely immobilized.
I started by securing each wrist separately to the side posts of the footboard with several wraps of rope, keeping her arms stretched out in a cross and well-tensioned. The knots were firm but didn't cut off circulation. Then I moved to her legs: I bent each knee and tied the ankle to the corresponding thigh, creating the classic frogtie. The ropes wrapped around thigh and ankle cleanly and symmetrically, leaving the soles of her feet facing up and her knees wide open. I anchored both open legs to the sides so she couldn't close them.
While I tied her, she resisted and screamed, but there was nothing she could do.
The result was that she was sitting on the floor, her back against the furniture, arms stretched out in a cross and legs completely open and immobile. Any movement she tried to make only tightened the ropes further. She was perfectly presented, with no real possibility of freeing herself.
She screamed at me, almost crying: "I'm sorry, I'm so sorry."
"No, you're driving me crazy," I replied.
To silence her, I took out the ball gag I had bought weeks earlier, just in case. I adjusted the blue ball behind her head, and then gagged her with white microfoam tape, completely covering her mouth and part of her cheeks, sealing the gag so she couldn't push it out or make much noise. The tape wrapping was clean and tight, typical of a total silence gag.
At first, her eyes showed a mix of surprise and confusion, as if she hadn't expected it to go this far. The humiliation of being tied up and exposed, with her mouth full of rubber and tape, made her feel vulnerable and ashamed. But as the vibrator began to buzz against her, that initial discomfort began to transform into something else. She couldn't control it. Her body responded despite her mind, and that internal struggle—between the desire for it to stop and the need for it to continue—was what made the experience so overwhelming.
The sensation of the rubber against her teeth was strange, almost intrusive. The blue ball filled her mouth, forcing her jaw to stay open, and the microfoam tape stuck to her skin like a second layer. Every time she tried to swallow, the ball shifted slightly, a constant reminder that her voice no longer belonged to her. The moisture of her saliva began to accumulate, and the taste of plastic mixed with fear and anticipation.
Then I attached a wireless vibrator to keep her entertained. The vibrator was strategically positioned between her legs. The wide head of the magic wand pressed directly against her white panties, right over her pubis. It was held in place by the same configuration of bindings, trapped and pressed constantly against her with no possibility of moving or falling. When I turned it on, she let out a scream behind the gag—a sound that mixed surprise and a plea she could no longer articulate.
Vivienne closed her eyes for a moment and then opened them, looking up with an expression that mixed ecstasy and agitation. The gag silenced any moan, but her face showed tension and the expression of someone experiencing overwhelming, uncontrollable pleasure. It wasn't pleasure she had sought; it was pleasure imposed on her, and her internal struggle was reflected in every muscle of her face. Her breathing quickened, and her eyes narrowed as the vibrator did its work without mercy.
The vibrator buzzed against her relentlessly. Each vibration spread through her body, and her skin began to moisten under the white fabric of her thong. Her hips moved instinctively, seeking more friction, but the ropes kept her still. She could feel the pleasure building in her belly, a pressure that grew and grew without finding relief. The initial shame mixed with an excitement she couldn't deny, and each vibration was a reminder that her body no longer belonged to her.
The first orgasm hit her like a wave. Her body tensed, her fingers clenched into fists, and a long, muffled moan escaped the gag—"Mmmpphhh"—a sound that vibrated against the plastic and tape. Her back arched slightly, and her thighs trembled as pleasure coursed through her. But the vibrator didn't stop.
The second orgasm came while the first was still fading. Her breathing quickened, and her eyes narrowed as pleasure enveloped her again. She tried to pull away, but the ropes held her still. Her moans grew sharper, more desperate—"Nnnngh… mmmffaaah"—sounds lost in the tape. The moisture of her panties began to stain the white fabric, making it slightly translucent, and the contrast between the pure white and the dark moisture was an image that burned into my mind.
The third orgasm was more intense. Her body shuddered violently, and a fine sweat began to glisten on her forehead and the base of her neck. Her nipples hardened under the bra fabric, and her skin grew warm. She could no longer tell where one orgasm ended and the next began. There was only the buzz of the vibrator, the pressure between her legs, and the sensation of being completely at the mercy of the machine.
Her eyes, narrowed and glassy, were the only part of her face that could express what she felt. Her pupils dilated and contracted with the rhythm of the vibrations, and her eyelids closed and opened as if she was fighting to stay conscious. The gag transformed her moans into guttural, wet sounds—"Mmmpphhh, nnngh, mmmffaaah"—that changed pitch according to the intensity of the pleasure. They became sharper as the orgasm approached, and turned into sobs when the pleasure was too intense.
The fourth orgasm left her breathless. Her head fell back, and her eyes lost focus somewhere on the ceiling. Her moans grew softer, more broken, as if her voice could no longer sustain the effort. Tears began to form at the corners of her eyes—not from sadness, but from the overwhelming intensity of the pleasure.
When the fifth orgasm came, her body could no longer respond with the same force. She only trembled, shaken by involuntary spasms that ran through her thighs and belly. Each vibration was a jolt of pleasure that left her breathless. She no longer moaned; she only emitted small muffled gasps, almost inaudible sounds that barely escaped the gag.
The black heels remained on her feet, and every time her body shuddered, the tips of the heels dug slightly into the floor, an anchor keeping her connected to reality. The sensation of being dressed but exposed humiliated her—the white lingerie that covered her, but also betrayed her, marking every curve and every moisture. The heels gave her a posture that made her legs look longer, and the tension in her muscles was part of the experience.
What she didn't know was that I had left a camera running to document her entire ***. Every moan, every spasm, every moment of involuntary pleasure was recorded. I wanted to see her afterward, to relive every detail of her surrender. It wasn't just about the thrill of recording her; it was about understanding her better, seeing her from the outside, discovering how she reacted when she thought no one was watching. I wanted to treasure those moments of vulnerability.
When I returned, after leaving her writhing like that for a while, I decided I had recorded enough and turned off the camera. I approached to mock my little victim, and a brilliant idea occurred to me to make the situation even more frustrating for her. So I grabbed the camera, turned it back on, and left a little extra at the end.
"As you can see, guys, she's not acting," I said, pointing the camera at her face. "Are you miserable, baby?"
Her face said it all. Her eyes narrowed, almost closed, lost upward. Her eyebrows furrowed from the intensity. Her cheeks and chest burning. It wasn't calm pleasure, but that *** ecstasy, that expression of someone being pushed to orgasm even as she tried to resist. The struggle showed in every muscle of her face.
Behind the gag, only muffled, desperate sounds could be heard: "Mmmmpphh… nnnngh… mmmffaaah." Long, vibrating, broken moans. Attempts to scream that turned into simple deep, wet vibrations. Agitated breathing through the nose. And when the orgasm reached her, those sounds became sharper, more broken, as if she were screaming with all her soul… but the tape and gag let nothing escape but stifled moans and sobs of involuntary pleasure.
There she was. Tied, gagged, in her white lingerie. Open, trembling, completely at the mercy of the vibrator that gave her no respite. She was broken, tired, could barely move, and her moans were fading.
I kept the video for myself. Maybe I'll show it to some friends—not because I want to share my wife, but because the image of her in that state, so vulnerable and so beautiful, is something that deserves to be seen. But for now, it's only mine. Like her.»
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«Can someone do this to me?»