«as usual these fuckiong boriing Jaßpanese clips are NOT about bondage at all, *** !! Japanese clips had once been great, when the models had still been paid to endure any kind of pain and brutality ... but since that was prohibited for Japanes video productions, their clips have become really lame and boring. Funny fact: so called BDSM theaters are still allowed, although the poor women there are truly mistreated and tortured like hell in every imaginable way, real pain, even real ***, and real tears and cries ... but video must not show such action. How do they find their "actresses" (they don't act, they endure) ? They take in especially girls from very poor families. They go around and advertise foir their theater, not hiding that it will hurt, but endureing the pain still is well paid. One of these *** aged girls told me (when I was in Japan on holidays), that her first shoiiw was nothing but hanging at her wrist at a hight of 5 meters above the stage, where other action happened, for the full dbl-show of approx 4hrs. So she signed a long-term contract, thinking would be kinda bearable and worth the money, despite the additional time of so called "after pain" for many hours after the show had already finished. But then in such long.term contract, it become more and more painful, which is the reason that most girls leave after the fist 2 years. That way, the theaters are constantly in need of "fresh flesh". There in Japan, even the on stage bondage alone is already rather brutal (as said, real tears, real cries), let alone the whipping and whatever else is happening. Nonetheless, these theaters thrive,The audiences are paying high prices for the tickets to see the shows, that are offered 2 times per week and an additional 2 times on weekends. And that girl? She was an optional 'bonus'. She had to be topless and they tied her on stage, before the show started, into a strict strappado position with a rope coming from far above the stage, as soon as the legs and ankles were tied, too, an electrical motor pulled her up without a gradual ramp-up, an action that made her shriek and then cry, when being suspended in that strappado position. And the machine pulled her right up to that height and stopped also very suddenly and jerky. The audience was left alone to gaze for about 15 minutes. THEN the show began. The poor suffering girl being suspended had nothing to do with the action below her. After the show, half an hr break for the audience to buy pictures and stuff. No change for that girl, who remained suspended not only during the break, but also for the whole time of the second show of torturing women. After the second show of the evening, the girl is being lowered and set free, but nobody helps her regaining her power and get off the stage. She endured that process every second evening, forcefully by contract. Not appearing would have meant to be immediately fired. On weekend, she additionally had to endure harsh breast bondage and clamps on her nipples. However, she earned enough money to support all of her family, parents and grandparents and being able to buy many nice things or save it for difficult times. The family knew what she endured and honored her for her sacrificing herself. After my holiday, I stayed in touch with her. She gave up after enduring it for incredible 12 years without any holidays or vacation time, telling me the theatre wasn't willing to suspend her at all 4 limbs or at least to change the winch to start pulling slower !! On contrary, she was offered to be pulled up with additional weight dangling from her feet or big toes. Because a lot of MORE money had been offered, she made the mistake (after 10 years) to sign for another 2 years accepting that additional challenge (pain). It wasn't a mistake because of the pain that she had learned to endure, it was amistake for reasons of health, because t6he addiotal strain on her shoulders cause inflamations that had to be treated. Hence the additional money was spent only on medical treatment and the doctor, meaning, it was NOT worth the additional pain, not at all. That's why she gave up, because when she tried to reduce the contract back to the old conditions, the theater wasn't interested any more. 'We rather get a new, 'fresh' one, who probably is stronger than you, continue as like as thus far or bye bye. So, there you are, that is "modern" Japan, kind behind the scenes all the world can see from outside. especially young girls from püoor families have the hardest way of life, much harder than in many a other countries. Because being *** is their only way to make enough money for a living, if they weren't lucky enough to get a decent job. And the even more brutal fact: since anything loud is unwelcome in Japan, they even mustn't scream when enduring pain. Just groaning, especially initially, already is the limit of what is being tolerated.»
Your local laws do NOT allow you to view sexually explicit materials without additional age verification.
Unfortunately, BoundHub is not yet able to perform this operation.
«as usual these fuckiong boriing Jaßpanese clips are NOT about bondage at all, *** !!
Japanese clips had once been great, when the models had still been paid to endure any kind of pain and brutality ... but since that was prohibited for Japanes video productions, their clips have become really lame and boring.
Funny fact: so called BDSM theaters are still allowed, although the poor women there are truly mistreated and tortured like hell in every imaginable way, real pain, even real ***, and real tears and cries ... but video must not show such action.
How do they find their "actresses" (they don't act, they endure) ? They take in especially girls from very poor families. They go around and advertise foir their theater, not hiding that it will hurt, but endureing the pain still is well paid. One of these *** aged girls told me (when I was in Japan on holidays), that her first shoiiw was nothing but hanging at her wrist at a hight of 5 meters above the stage, where other action happened, for the full dbl-show of approx 4hrs. So she signed a long-term contract, thinking would be kinda bearable and worth the money, despite the additional time of so called "after pain" for many hours after the show had already finished. But then in such long.term contract, it become more and more painful, which is the reason that most girls leave after the fist 2 years. That way, the theaters are constantly in need of "fresh flesh". There in Japan, even the on stage bondage alone is already rather brutal (as said, real tears, real cries), let alone the whipping and whatever else is happening. Nonetheless, these theaters thrive,The audiences are paying high prices for the tickets to see the shows, that are offered 2 times per week and an additional 2 times on weekends. And that girl? She was an optional 'bonus'. She had to be topless and they tied her on stage, before the show started, into a strict strappado position with a rope coming from far above the stage, as soon as the legs and ankles were tied, too, an electrical motor pulled her up without a gradual ramp-up, an action that made her shriek and then cry, when being suspended in that strappado position. And the machine pulled her right up to that height and stopped also very suddenly and jerky. The audience was left alone to gaze for about 15 minutes.
THEN the show began. The poor suffering girl being suspended had nothing to do with the action below her. After the show, half an hr break for the audience to buy pictures and stuff. No change for that girl, who remained suspended not only during the break, but also for the whole time of the second show of torturing women. After the second show of the evening, the girl is being lowered and set free, but nobody helps her regaining her power and get off the stage. She endured that process every second evening, forcefully by contract. Not appearing would have meant to be immediately fired. On weekend, she additionally had to endure harsh breast bondage and clamps on her nipples.
However, she earned enough money to support all of her family, parents and grandparents and being able to buy many nice things or save it for difficult times. The family knew what she endured and honored her for her sacrificing herself.
After my holiday, I stayed in touch with her. She gave up after enduring it for incredible 12 years without any holidays or vacation time, telling me the theatre wasn't willing to suspend her at all 4 limbs or at least to change the winch to start pulling slower !! On contrary, she was offered to be pulled up with additional weight dangling from her feet or big toes. Because a lot of MORE money had been offered, she made the mistake (after 10 years) to sign for another 2 years accepting that additional challenge (pain). It wasn't a mistake because of the pain that she had learned to endure, it was amistake for reasons of health, because t6he addiotal strain on her shoulders cause inflamations that had to be treated. Hence the additional money was spent only on medical treatment and the doctor, meaning, it was NOT worth the additional pain, not at all. That's why she gave up, because when she tried to reduce the contract back to the old conditions, the theater wasn't interested any more. 'We rather get a new, 'fresh' one, who probably is stronger than you, continue as like as thus far or bye bye.
So, there you are, that is "modern" Japan, kind behind the scenes all the world can see from outside.
especially young girls from püoor families have the hardest way of life, much harder than in many a other countries.
Because being *** is their only way to make enough money for a living, if they weren't lucky enough to get a decent job.
And the even more brutal fact: since anything loud is unwelcome in Japan, they even mustn't scream when enduring pain.
Just groaning, especially initially, already is the limit of what is being tolerated.»